I didn’t realize, until I finally watched Sorry,Wrong Number this week, in my quest to give you new/old things to say about the disability experience in fiction, that I’d mixed up “Sorry, Wrong Number” and “Wait Until Dark” for a long time. If you’ll look at the links, though, they do have a lot in common—A-list actresses who got award nominations for playing (somewhat) helpless and the gathering suspense of someone who can’t defend themselves facing danger, though it would seem that Hepburn’s plight in the later film is something of a case of mistaken identity, as opposed to Stanwyck’s Leona getting caught up in her husband’s crooked plot after years of using a heart condition that she sort of…talked herself into to manipulate others.
If Leona Stephenson in “Sorry, Wrong Number” weren’t a tremendous, ball-busting bitch—in some ways, as a disabled woman on a short leash myself—I sort of enjoyed the way she had of getting what she wanted, at first, especially in a world where “Add To Cart” isn’t a substitute—“Sorry, Wrong Number” might have been a difficult watch for someone who has experienced dependency first hand. (It might make an interesting 21st century reboot, or at least something to consider as someone writes an internet thriller, especially if someone cast a disabled actress…it might make the debates on representation and #ownvoices more challenging though. But whoever did it would have to be careful about not creating a Vince-Vaughn-Psycho-shot-for-shot thing because I can’t really imagine a modern actress saying or typing “I’m an invalid,” ever, which is a small beam of light in a time when I’m not sure the disability rights movement has accomplished very much.
Maybe someone could rewrite it with MS for Selma Blair…I would be into watching that.(If I were still a teenager or something, I would imagine myself writing it, too, but I don’t think I could do that, anymore.) I’ll leave that with the Universe, though, and see if someone picks it up.